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Walter Crane Diana and Endymion oil painting reproduction


Walter Crane

Diana and Endymion

1883 Oil on canvas 55.2 x 78.1cm (21 3/4 x 30 3/4 in) McManus Galleries Dundee (mk63)
Painting ID::  28025
 

 

Jacopo Tintoretto Diana and Endymion oil painting reproduction


Jacopo Tintoretto

Diana and Endymion

mk67 Oil on canvas 57 1/16x107 1/16in Pitti,Meridiana
Painting ID::  29892
 

 

Jerome-Martin Langlois Diana and Endymion oil painting reproduction


Jerome-Martin Langlois

Diana and Endymion
French Academic Painter, 1779-1838
Oil on canvas, 318 x 211 cm
Painting ID::  44047
 

 

Pier Francesco Mola Diana and Endymion oil painting reproduction


Pier Francesco Mola

Diana and Endymion

Date ca. 1660(1660) Medium Oil on canvas cjr
Painting ID::  80732
 

 

Pier Francesco Mola Diana and Endymion oil painting reproduction


Pier Francesco Mola

Diana and Endymion

. 1660(1660) Medium Oil on canvas cyf
Painting ID::  84916
 

 

Peter Paul Rubens Diana and Endymion oil painting reproduction


Peter Paul Rubens

Diana and Endymion

1636(1636) Medium Oil on wood Dimensions 28.6 x 26.6 cm (11.3 x 10.5 in) cyf
Painting ID::  87107
 

 

Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Diana and Endymion
1636(1636) Medium Oil on wood Dimensions 28.6 x 26.6 cm (11.3 x 10.5 in) cyf

        
   
 

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